Sunday, November 8, 2009

Anime Review: Tsukuyomi Moon Phase

So I just watched the first five episode of  Moon Phase again tonight and I honestly wanted to do a review for it. After watching it once more I remember everything that I thought of it. This anime has been out for a while and has been dubed in english(blah!). Ok time for the review…

This series is for those who prefer their vampires to be cute as kittens more often than they are dark and brooding. The mood of the series, like Hazuki’s personalities, tend to alternate between the two, although it generally works better when emphasizing the moe aspects, which it does a lot. That said, people with an aversion to cat-eared girls and little-sister types are advised to stay far away.The plot tends to switch between stretches of seriousness and levity: the first two episodes deal with Hazuki meeting Kohei and escaping the castle, then settling into a silly daily routine before dealing with more villains a few episodes later. The story has some difficulty balancing character and relationship developments with plot progression unless it separates such things into different episodes. Perhaps this is why, despite several of the tragedies that various characters suffer, there is little emotional draw to them. Also, as with many adaptations of unfinished manga, a number of plot threads are left untied with the series conclusion, although the series does conclude solidly enough.

The cast are entertaining, although some people may find a number of the younger females straddle the line between adorable and irritating. Hazuki starts off as a stubborn and slightly spoiled little girl, but grows into more of a kinder, caring person over the course of the series. Kohei is the typical kind-hearted and honest but unimpressive boy with an unusual ability/curse that you’ve seen in so many other series. The supporting cast brings a bit of liveliness to the show. Haiji brings a bit of humor as Hazuki’s cat-like pet, frequently scolding her master’s servant Kohei. Seiji brings a bit of class as the cool-looking and talented relative of Kohei. The best characters, though, are probably Ryuhei and Elfriede, who regularly tease the lead characters, but also connect to each other on a deeper level and share some of the most tender moments in the series.

One can’t really talk about Moon Phase without mentioning it’s stylistic quirks. As with pretty much any work directed by Akiyuki Shinbo, one should expect interesting and different uses of light and color in many scenes throughout. The typical depiction of the house were much of the story occurs is also diplayed much like a dollhouse, opened up so as to see in all the rooms at once. Also, infamously, yellow washpans are known to come crashing down on various characters for comedic effect.

Designs for the characters are crisp, and backgrounds are appropriately detailed. Action scenes may not be breath-taking, but they are more than adequate for the task they mean to achieve. While the initial television episodes did have a few problems during important scenes, these were all rectified in the DVD release.

Voice work for both languages is nice, although Monica Rial just can’t quite match the level of cuteness that Chiwa Saito attained playing Hazuki (a minor issue, but Rail’s voice just gets annoying after a while). Background music for the episodes is chosen appropriately for the scene, although it is at times a little overbearing. The dark scenes are supported by haunting and gothic-sounding tones, while the cheery moments are punctuated by spunky and playful tunes. The most catchy song (for good or bad) is absolutely the opening theme, “Neko Mimi Mode De”. It’s particularly surprising when it drastically interrupts the gloomy introductory scene of the first episode with it’s bubbly, sugary tune, simplistic lyrics, and bright colors. The song is devastatingly appropriate for the show. A couple of episodes have an alternate opening song, “Tsukuyomi Mode”, that is less syrupy and not so overly energetic, but similar. The closer, on the other hand, is slightly melancholy and more subdued, but leaves little lasting impression.

Moon Phase sets out to be a vampire series built around the concept of “moe”, and it largely succeeds. At times, it tries to be something a little more, and it is less definitive in its achievement when attempting this, but rarely strays far from its strength. In all, the series is an entertaining diversion for those looking for something just a little different.

Saturday, November 7, 2009

Anime "Darker Than Black 2" (Capítulo 5)

Título: Darker Than Black 2: Ryuusei No Gemini
Género: Shônen, Acción, Misterio, Sobrenatural
Episodios: ¿?
Web Oficial: Darker Than Black 2
Descarga Directa: McAnime

 

Sinopsis:


Hei y Yin salen de Japón huyendo de las posibles represalias de su organización tras desobedecer a ésta. Llegan a Rusia y allí se encuentran con una adolescente de 13 años llamada Suou, que está en medio de varias organizaciones de contratistas que buscan un fragmento de meteorito que su padre tiene, y les proporcionará más poder… Y como no, su hermano es contratista.

Por otra parte, en Japón todo sigue igual. La Puerta del Infierno sigue en pie y humanos y contratistas siguen sus vidas. Aunque ahora Kirihara no solo luchará contra los contratistas, sino también contra la corrupción en las altas esferas políticas y policiales en lo referente a contratistas y sus poderes.

 

Sinopsis Del Episodio:

El entrenamiento de Suou sigue con su entrenamiento, pronto tendrá que trabajar como contratista.

Por otra parte, Misaki sigue buscando a BK201…

 

Opinión Sin Spoilers:

 

POR DIOS, SÍ

 

Vuelve mi Hei, voy a llorar de la emoción, lo creía perdido  *-*

Si esto sigue así, creo que ya podemos decir que vuelve “Darker Than Black”, el contrato contradiciendo los sentimientos, Misaki buscándolos, encontrándolos y ellos huyendo. Las misiones, las historias personales para cada capítulo…

¡Lo echaba de menos! Las escenas humorísticas ya van a menos, y cruzo los dedos para que siga así.

Espero que siga así.

 

Resumen en “Leer +”

INFORMADORA – MISAKI:

-BK201 perdió los poderes gracias a un “arma anti-contratistas”. Su objetivo es acabar con ellos, matarlos (me cago en vuestra madre como le hagais daño con eso!)… El prototipo fue probado 2 años atrás… En Tokyo… Durante la explosión…

-Si quiere encontrarlo, tiene que encontrar los Documentos Mitaka e introducir la clave “Izanami”… También puede pedir un deseo a una estrella roja en el cielo, que está al lado de una verde. (Me da que van a ser de las muñecas gemelas que tiene)

-Suou sigue entrenando delante de Hei, pero éste, en cuanto puede, se pira. Ella se lo dice a Mao:

“Me volveré fuerte antes de huir”

Se van a comer y luego a la habitación que tienen en el Love Hotel, donde ella ve una cucaracha, se convierte en contratista y se pone a disparar   xDDD

Hei llega, ve los desperfectos y ella se planta delante de él:

“Me golperarás de nuevo, ¿verdad?

Simplemente hazlo

Pero golpéame en el lado izquierdo,

el derecho aún me duele de la

última vez que me golpeaste”

Hei se queda a cuadros, ni más de sorprendido, y le dice que le sorprende… Se acuesta sin pegarle ni nada por el estilo. (Mi Hei vuelve… snif)

Mientras ella y July duermen en la bañera, Mao le explica a Hei que ella odia a las cucarachas porque su amiga, la que se volvió contratista, tiene el poder de controlarlas y hacer que  maten a las personas… Así es como mató a uno de sus amigos, delante de ella.

Él parece que lo entiende, y no solo racionalmente. Recuerda el momento en el que ella le dice que le odia, y dice:

“Yo soy lo mismo que una cucaracha”

(JUA  JUA  JUA  JUA)

Al día siguiente vuelven a entrenar, pero esta vez tiene que disparar a un objetivo movil y vivo… Al principio ella se niega, pero él le dice que tiene que hacerlo para “revitalizar” su parte contratista. Ella, con todo el dolor de su corazón termina haciéndolo y llora…

“¿Por qué lloras?”

“No lo sé…

No lo sé”

Llaman a Hei y le dan una misión a él y a Suou. Unos camiones transportarán Izanami y él debe interceptar a esos camiones. Si por lo que sea no lo consigue, Suou tendrá que disparar contra ellos.

Esa noche, Suou hace la cena y… ¡Hei come lo hacía en la primera temporada! (Dios mío, cuanta nostalgia  *-*)

Mientras tranto, Kirihara ya ha visto Izanami. Es una máquina grande, con algo en su interior, que nosotros no vemos (¬¬… ¿Algo relacionado con Yin?)

Llega el momento de la misión y Hei ataca a los camiones. Hace que paren y logra meterse en el que lleva a Izanami… Se queda parado, y de repente, no se sabe quién, comienza a conducir ese camión, llevándose a Izanami y Hei con él. (Por el careto de Hei, no es amigo suyo)

Thursday, November 5, 2009

11 Eyes ep. 01-04

I started a newish anime called 11 eyes which circles around certain “chosen” students we are randomly pulled into a dark alternate dimension of Tokyo called the Red Night.  Most of them show incredible special abilities used to counter the “Dark Knights” and demon-like creatures that reside within.  I was hooked immediately with the blood-shed pre-opening in the very first episode.  The characters are good so far, especially the overly well-endowed school nurse and the boob fondling dual personality book-worm.

It reminds me a bit of a mix of Kaze no Stigma for the abilities and D.gray man for the demons.  I just keep thinking “level 3 Akuma” when I see the Dark Knights.

This one is defiantly going on my weekly update list.

anime and i: in which miyazaki makes me a nicer person

I just re-watched Miyazaki’s version of Diana Wynne Jones’s Howl’s Moving Castle, and it’s churning up this strange and unwilling fondness for anime in me. (It did the first time too, but I dismissed it as an aberration.) Even though Miyazaki changed vast chunks of the plot, even though the characters have the giant eyes and tiny noses of anime that normally annoy me so much, and even though strange airships blimped around the entire time, I can think of few other book-based films which I actually liked enough to watch again. Certainly no comic or fantasy-based film has ever left me anything except indignant and nit-picking: there were always a million small things, and often some huge things, that rang clangily hollow. The only exception (Even movie-Watchmen’s slavish adherence to all things except the giant squid seemed, somehow, to lack the intense hysteria of the comic) is Sin City, which exactly replicated the filthy noir quality that I loved in the comics, where what you couldn’t see in the heavy darkness loomed large over what you did see.

As with Sin City, the implication by enshrouding that there is an entire world that is new and strange to the reader seems to work very neatly in Howl’s Moving Castle. What happens, I suspect, is that animation has an abstract quality that makes it so much easier to watch and re-imagine in the watching than an actual film. So even though Calcifer the fire demon (for instance) didn’t look like the Calcifer in my head, he was an excellent abstract of said Calcifer-in-my-head.

This is, of course, inherent to cinema, and perhaps I should stop watching altogether. Films are obsessed with maintaining the appearance of reality. Any self-respecting film would try to show you what a Calcifer would look like if Calcifers existed in our world, bound by its optical laws. Except, in doing so, they miss the entire point of fantasy which is this: Calcifer does not and cannot exist in our reality. This is why he is a fantastic character. The only place where Calcifer exists and should exist, is elsewhere. This is why however magnificent FilmAslan is, he is still just a regular, if largeish lion, prancing around on screen. In making him realistic, most of the abstract qualities that hover around BookAslan (Aslan as stand-in for god, Aslan as inherently just, and Aslan as inherently unknowable) are obliged to go away, because there is no visual way to portray them realistically, and even swelling orchestral soundtracks can only do so much. Animation is, for me, particularly suited for rendering fantasy, because of the fact that it works with symbols and metaphors, rather than representations of reality: it gives you rough ideas, but the actual work happens in your head – as it should, to be truly fantastic.

Anyway. Back to Miyazaki. The characters are all very nicely distinguished, in the way they speak and move and hold themselves. Howl himself was completely unlike the way I’d imagined him, with his strange air of vulnerability. I liked, too, the way that it was his body that was the site of desire, not hers: both YoungSophie and OldSophie are more or less shapeless, wrapped up in stout shoes, layers of petticoats and voluminous gowns, while Howl’s body is depicted in slim, delicate lines. It’s Howl who is so obsessed with his own attractiveness that he sobs himself into a pool of green snot when his hair turns orange; later, he wanders around in a towel that slips coyly off, and it’s Sophie who determinedly does not to ogle. Howl’s vulnerability is constantly in play, in his repeated exhaustion, and the increasing frailty of his bird-form. In contrast, Sophie, even when aged, is satisfyingly solid. She is bursting with determination and stamina: she stomps determinedly up the very long and steep palace steps carrying a dog, even taking the trouble to pep-talk the Witch of the Waste through the climb; she cleans constantly, and she looks after all the other characters. Though Sophie’s degree of agedness careens wildly, and though she is voiced by two separate actresses (one for young and one for old Sophie) she is somehow tangibly always the same person: its her persistent vitality that holds the whole story together.

The war scenes combine just the right amount of realism (the blimps and the images of burning buildings) and pure comic-ness (by comic-ness I do not mean comedy: I mean the quality of being a comic) as when the blimps have wings and let loose strange annoying giant insects, along with their bombs. The fact that none of this is actually in the book, made little difference: it is still a beautiful, intuitive and thoroughly original film which somehow manages to be Howl’s Moving Castle, in addition to all the other things it is.

So yes, I take back many of the uncharitable things I may have said about anime in the not-so-distant past. It can pretend to be as cutesy as it wants:  now that I know that it’s secretly all sharp steel and strange flourishes underneath, I won’t be fooled again. Sometimes, anyway.

Tuesday, November 3, 2009

what your bottom 5 anime say about you

Top 5 lists are old and busted. Bottom 5 lists, now that’s the new hotness. In a nutshell, there are basically four different types of bottom 5 lists:

#1:
Gundam Seed
K-On
Naruto
Neon Genesis Evangelion
Sayonara Zetsubou Sensei

This is clearly The Hater. The Hater hates. What does The Hater hate? The Hater can hate all sorts of different things: popular shows, specific genres, moe, newfags, difficult shows (that they don’t get), praised shows, and so on.

#2
A Certain Magical Index
Akane-iro no Somaru Saka
Akikan
Linebarrels of Iron
Myself;Yourself

This is The Fan That Doesn’t Watch Enough Anime. The Fan That Doesn’t Watch Enough Anime doesn’t watch enough anime. Most of these shows will have come out in the last year or two, and often really aren’t necessarily that terrible. They’re the kind of shows that will be (if not already) forgotten in a few months. In other words, The Fan That Doesn’t Watch Enough Anime doesn’t really have much perspective when it comes to what’s bad.

#3
Garzey’s Wing
Mad Bull 34
MD Geist
Musashi Gun-dou
Queen’s Blade

This is The Guy That Watched All of CPM’s Old Catalog. The Guy That Watched All of CPM’s Old Catalog watches lots of truly bad anime, but these are the kind of bad anime that are so bad that they’re fun to watch. I’d take one episode of Mad Bull 34 over one episode of a decent-but-not-particularly-amazing show like I dunno, Toradora any day of the week.

#4
Eiken
Naruto: Konoha Annual Sports Festival E’s Otherwise
Sister Princess
Tenshi ni Narumon
UFO Princess Valkyrie

Finally, we have The Guy That Watches Way Too Much Shitty Anime. In other words, me. This is my personal bottom 5 anime. Note that these were generally shows that I was forced to watch.

Nuevo Anime de Da Capo. -Primavera 2010-

Y es que despues de 4 años, Da Capo vuelve a las andadas tanto con nuevo anime como con novela visual *__*

Estoy mas que feliz, ¡estoy que brinco de alegria por esta gran noticia!

La noticia se dio durante un evento alusivo al decimo aniversario de CIRCUS (creadores de Da Capo)

http://www.notcliche.com/lbw/new-d-c-da-capo-anime-and-novel-in-the-works

CIRCUS no deja en paz a Da Capo, eso me gusta.

Aun no se revela nada mas, lo unico que se dijo fue: “estamos trabajando”.

Pero ahora se viene incognitas mas grandes….

¿Acaso el arbol de Sakura nunca muere? ¿Quienes serán ahora los protagonistas?

¿Seguira habiendo una relación con Da Capo y Da Capo II? ¿Da Capo III asegura un Da Capo III S.S.?

¿Quien será el director, se repetira al de Da Capo II? (Hideki Okamoto) ¿O sera acaso Nagisa Miyazaki -Da Capo- o Masanori Nayoshi -Da Capo S.S.)

  • En lo personal prefiero a Nagisa Miyazaki.

¿Cual sera el estudio? ( Zexcs -Da Capo-, Feel -Da Capo II- u otro)

  • Tsk… me gustaria que fuera una combinación de ambos, hay cosas que uno tiene y el otro no y asi. O de plano un estudio nuevo.

Sea como sea, el nuevo anime es una realidad. Esperemos no decepcione y sean 26 capitulos

Sunday, November 1, 2009

Wallpapers: November 1, 2009

As someone who’s always on the hunt for good wallpapers, I appreciate when others share theirs. In that spirit I’ll be posting the images that adorn my iPhone and Macbook Pro each time I change them. Sometimes that’s quite regular, sometimes I like an image so much that I keep it for months and months, but whenever it happens I’ll be sure to share the goods with you.

My incurable Eva Fever is quite strong at the moment, thanks to the fact that I recently watched the first two films in the Rebuild of Evangelion. Both of these images are fairly new (as far as I’m aware, they’re promo material for 2.0: You Can (Not) Advance) and practically begged to be used as you see below. If you agree, click through to the full article to download them for yourself.

Download iPhone: wallpaper / source
Download Desktop: 16:10 / 4:3 / source

The desktop versions are at high-end resolutions so that they can easily be scaled for most monitors.
Note that the source images may be quite large.